Recurring canopy imagery initiates recognition but withholds resolution. Each painting suspends subject formation, foregrounding the viewer’s compulsion to stabilize meaning. The series operates where perception falters and certainty cannot land.
Of the Less Erroneous Pictures of Whales, and the True Pictures of Whaling Scenes. 40x60 oil on canvas
Cetology. 40x54, oil on canvas
The Profit. 35x48, oil on canvas
The Whiteness of the Whale. 48x48 oil on canvas
The Chase—Second Day.50x35, oil on canvas
Of the Monstrous Pictures of Whales. 54x40, oil on canvas
Knights and Squires. 48x48, oil on canvas
The Pequod Meets the Bachelor. 30x74, Oil on strips of canvas glued to a door
The Chase—Second Day. 50x35, oil on canvas
The Pulpit. 50x35, oil on canvas
The Monkey Rope. 30 x 75, Oil on canvas strips glued to a door
